Britney Spears definitely got everyone’s attention when she shared several cryptic posts about wisdom and being able to see clearer following news of her split from husband Sam Asghari.

The 41-year-old pop singer, who has yet to directly address the split after her husband shared the news on social media, posted one video zooming in on a painting of a woman sleeping with her eyes closed.

She captioned the first post, “Sometimes you see more with your eyes closed!”

A short time later, she made a second post showing a black-and-white drawing of two women appearing to possibly share a secret. One woman is holding a jar with a little man on his knees, and the other woman is whispering in her ear.

“How do you read this?” the pop star wrote. “It’s interesting! I see it as a message in a bottle! Or a baby who needs to get out!”

Britney Spears planning new album amid Sam Asghari divorce, ‘getting songs from some big artists’ https://t.co/SdSquT8xcp pic.twitter.com/3o97443KLz

— Page Six (@PageSix) August 17, 2023

“They whisper the poison like in ‘Alice In Wonderland’ and they wait to see if they have the cure!” she added. “Wise birds know who they are [brain emojis]!”

At the time of publication, Spears has the comments turned off so there was no responses about the posts.

On Thursday, Asghari broke his silence, confirming reports that the pair were calling it quits and that he had filed for divorce after 14 months of marriage.

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“After 6 years of love and commitment to each other my wife and I have decided to end our journey together,” the fitness trainer said. “We will hold onto the love and respect we have for each other and I wish her the best always.”

“S*** happens,” he added. “Asking for privacy seems [ridiculous] so I will just ask for everyone including media to be kind and thoughtful.”

The “Womanizer” hitmaker and Asghari started dating in 2016 and five years later the two were engaged, Page Six noted. In November 2021, a judge terminated her nearly 14-year conservatorship. Spears and Asghari tied the knot in June 2022 at a ceremony filled with famous stars and performers.

The director of the original “Twister” said the new sequel won’t be anything like the original.

Director Jan de Bont headed up the 1996 thriller, which was a box office smash. The epic disaster film featured a script by Michael Crichton, who also wrote both the novel and film version of “Jurassic Park.”

“Twister” starred Helen Hunt and Bill Paxton as estranged, storm-chasing spouses who encounter a massive tornado. The movie grossed $495 million when it was released, making it the second-highest-earning film of 1996, and earned two Academy Award nominations.

The film’s sequel, “Twisters,” is slated for a 2024 release.

Now de Bont says he wasn’t consulted on the sequel. The director also said he doesn’t think the newest version will have the same impact because of advances in technology.

“When things fell from the sky, there were real things falling from a helicopter,” de Bont told Inverse during an interview. “If you film a car escaping a tornado in a hail storm, it was real ice that came at us. It’s a movie that cannot be remade… That would never, ever happen again.”

The director admitted that “Twister” helped advance the use of visual effects. He described how difficult it was utilizing computer-generated images to recreate the look of tornados 26 years ago.

“Every shot was a fortune,” de Bont told the outlet. “It would take three days to transfer all that information onto film. Right now it’s fast, but in the beginning, it was super slow. And we had to be so careful to get the shots done before the movie opened.”

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The 79-year-old director said he’s a fan of Lee Isaac Chung, who is heading up the sequel, but will likely have “somebody else see it first” before he decides whether to watch “Twisters.”

“It might be a really different approach. That’s the same with [Greta Gerwig] of ‘Barbie.’ Nobody would ever have thought she’d direct that movie and make it so successful,” de Bont said.

He also believes studios hire inexperienced directors for a reason. 

“Don’t forget that the main reason they’re finding younger, inexperienced people is they want to be able to fully control them,” de Bont explained. “They want them to have really good ADs, writers, producers, cinematographers so that they have all the help they can get. But ultimately, the studio is going to tell them what’s in the movie. I know that firsthand.”