Young Americans Are Losing Their Minds. The Social Left Is To Blame.

This week, the Centers for Disease Control and Prevention (CDC) released new data showing that our nation’s young girls are in a state of absolute emotional and mental crisis. According to the CDC, 57% of high school girls said they were depressed in 2021, compared with 36% in 2011; 30% said they had considered suicide, compared with 19% in 2011. The numbers had also increased markedly for high school boys: 29% of high school boys reported depressive symptoms, up from 21% in 2011; 14% of high school boys had considered suicide, up from 13% a decade before.

Naturally, our nation’s pseudoscientific experts blame societal intolerance and lack of sexual sensitivity. Never mind the fact that more kids than ever are declaring themselves members of nonexistent identity groups (Demisexual! Gender nonbinary!), mistakenly self-diagnosing with Tourette’s syndrome or gender dysphoria, and claiming victimhood at the hands of a cruel society – a society which rewards and cheers all such claims. Never mind that we’ve now undergone a gender revolution in which we’ve declared biological sex itself passe, treated heterosexual norms as taboo and misogynistic, and attempted to wipe away — along with actual sexual predation — much normal behavior in the name of #MeToo.

No, says the CDC, the problem — as always — is with society’s demands. As The Wall Street Journal reports, the CDC recommends “teaching kids about sexual consent, managing emotions, and asking for what they need”; furthermore, “Schools should encourage gender and sexuality alliances, provide safe spaces and people for LGBTQ+ students to go to for support, and ensure enforcement of anti-harassment policies.”

Yes, the answer to five decades of social Leftism resulting in two generations unmoored from mental health is … more social Leftism!

Or, alternatively, any society that attempts to destroy all rules, roles, and intermediate institutions laden with traditional values will end up abandoning its children — all in the name of tolerance and diversity. We have robbed young men of a sense of meaning: we’ve told them that they need not be providers, protectors, or defenders, and that even aspiring to do so makes them bigoted remnants of the past. Instead, young men are told that they ought to relegate themselves to the role of “male feminists,” condemning their own “toxic masculinity” while shying away from the commitments that turn boys into men.

We have robbed young women of any sense of place, time, or purpose: we’ve told them that they need not seek out a husband, aspire to bear and rear children, or make preparations to build a home. Instead, we’ve told them that they can run from their own biology, declaring themselves boys rather than girls, delaying childbearing indefinitely, pursuing the things that are supposedly truly important: sexual license, more work hours, sipping wine at brunch with single friends.

We have done all of this because children do not lie at the top of our civilizational hierarchy: the interests of adults do. Increasingly, adults in the West see children as either a burden and thus avoid having them, or as validators of their own sense of subjective self-identity, requiring indoctrination into more liberal forms of social organization.

And now children are paying the price.

The social Left has been in control of virtually all levers of culture and policy for decades. Now they demand more control in order to alleviate the consequences of the chaos they have created. The answer, of course, is precisely the opposite: the reinvigoration of traditional sources of wisdom and values, the re-inculcation of morality and obligation. If our society does not quickly reverse field, the consequences for our young people will be utterly disastrous.

‘You Saved Hollywood’s A**’: Spielberg Praises Cruise For ‘Top Gun: Maverick’

Hollywood director Steven Spielberg complimented Tom Cruise at Monday’s Academy Awards luncheon, telling him that his film “Top Gun: Maverick” may well have saved Hollywood.

“Top Gun: Maverick” has grossed $1.48 billion worldwide since its release in May 2022. Other films did well in 2022; “Jurassic World: Dominion,” which opened in June, has raked in over $1 billion worldwide; “Doctor Strange in the Multiverse of Madness” and “Minions: The Rise of Gru” took in almost $1 billion since their releases in May and July, respectively. “Avatar: The Way Of Water,” which opened in December, outdid them all, earning over $2.2 billion worldwide.

“You saved Hollywood’s ass, and you might have saved theatrical distribution,” Spielberg told Cruise, “Seriously, ’Maverick’ might have saved the entire theatrical industry.”

steven spielberg telling tom cruise to his face, “you saved hollywood’s ass. and, you might have saved theatrical distribution. seriously. MAVERICK might have saved the entire theatrical industry.” i have to lie down. pic.twitter.com/nYbWbgadM7

— amanda (@marisatomay) February 14, 2023

Cruise insisted that his film be released in theaters rather than on streaming services, which have burgeoned since the COVID pandemic.

The two men have worked together on two films: “Minority Report” and “War Of The Worlds.”

“Top Gun: Maverick” is nominated for best picture, along with “All Quiet On The Western Front,” “Avatar: The Way of Water,” “The Banshees Of Inisherin,” “Elvis,” “Everything Everywhere All At Once,” Spielberg’s semi-autobiographical “The Fabelmans,” “Tar,” Triangle Of Sadness,” and “Women Talking.”

“The pandemic created an opportunity for streaming platforms to raise their subscriptions to record-breaking levels and also throw some of my best filmmaker friends under the bus as their movies were unceremoniously not given theatrical releases,” Spielberg told The New York Times in December. “They were paid off and the films were suddenly relegated to, in this case, HBO Max. The case I’m talking about. And then everything started to change.”

“I think there has to be a concerted effort on the part of movie directors to demand that the streaming services footing the bill for most of these films give their movies a chance to be exhibited theatrically and not just in four theaters to qualify for awards. It’s going to have to come from all of us — the WGA [the Writers Guild], the DGA [the Directors Guild], and eventually the academy,” he declared.

“Certain movies are perfectly suitable to the iPad or the living room. So the decision that executives and executives like myself at Amblin Partners have to make is: Do we consign this movie to a streaming service or this other movie to a four- or six-week theatrical window? … We don’t want these chains to file Chapter 11. We want theaters to stay open,” he concluded.