Australian Activist: ‘Billie Eilish Got Me Deported’

An Australian political activist and online provocateur who mocked Billie Eilish’s anti-ICE rhetoric says he was deported from the United States after immigration authorities questioned him over social media posts joking about moving into the singer’s California home.

Drew Pavlou, 24, claimed in a series of X posts that he was detained for roughly 30 hours at Los Angeles International Airport before being denied entry into the country. Pavlou speculated that Eilish’s legal team contacted the Department of Homeland Security, prompting his removal.

“Billie Eilish got me deported from the US — I think her legal team contacted DHS,” Pavlou wrote, posting a selfie with a police officer in the background. He said immigration officials repeatedly questioned him about posts in which he claimed he planned to fly to the United States and move into Eilish’s Malibu mansion, insisting the statements were satire.

DREW PERFORMANCE ART UPDATE

Billie Eilish got me deported from the US – I think her legal team contacted DHS

I spent 30 hours at LAX immigration trying to explain that my shit posts were just a joke and that I didn’t actually plan to personally move into her mansion

Honestly… https://t.co/R4ynQEor3c pic.twitter.com/8eVCcBE5Jr

— Drew Pavlou 🇦🇺🇺🇸🇺🇦🇹🇼 (@DrewPavlou) February 15, 2026

“I spent 30 hours at LAX immigration trying to explain that my sh*t posts were just a joke and that I didn’t actually plan to personally move into her mansion,” Pavlou wrote. “Honestly most of the agents were nice and laughed at the idea but there was nothing I could do.”

Pavlou’s posts were a direct response to Eilish’s remarks during her acceptance speech at the Grammy Awards, where she declared, “No one is illegal on stolen land,” before adding, “F–k ICE.”

In the days following the speech, Pavlou launched a crowdfunding campaign claiming he would travel to the United States and attempt to move into Eilish’s home, echoing her “stolen land” framing. “I am flying to the USA next Friday to attempt to move into Billie Eilish’s beachside Malibu mansion,” he wrote, adding, “No human being is illegal on stolen land.”

The fundraiser was later removed after the platform said it could not verify his plan or the recipient of the donations. Pavlou subsequently launched a new fundraiser on GiveSendGo seeking money to fly to California and “buy” the property.

The mansion Pavlou referenced was not owned by Eilish herself but by her brother, Finneas O’Connell, and had been sold in 2022 for $5.6 million, according to the Los Angeles Times. The home was later destroyed in the Palisades Fire. Pavlou said he was unaware of that fact when he created the fundraiser.

In follow-up posts, Pavlou leaned into the irony of the situation, mocking the outcome as an unintended endorsement of border enforcement by leftist figures.

“She literally said ‘no one is illegal on stolen land’ but called ICE on me,” Pavlou wrote. “Honestly amazing performance art — I somehow managed to get Billie Eilish and American liberals to endorse border control and deportations.”

Pavlou also claimed immigration officials questioned him extensively about his past activism, including his opposition to the Chinese Communist Party, describing the experience as “legitimately insane.”

Neither Eilish nor her representatives have publicly commented on Pavlou’s claims, and DHS has not confirmed whether any contact occurred between the singer’s legal team and immigration authorities.

Still, the episode has drawn attention online as a case study in the tension between celebrity activism and real-world immigration enforcement — and as Pavlou framed it, proof that even slogans about “stolen land” have limits when it comes to the expense of the sloganeers.

Spike Lee Chooses ‘Free Palestine’ Stunt Over Celebrating NBA’s First Israeli All-Star

Leave it to filmmaker Spike Lee to prioritize a political costume over a historic moment of athletic achievement.

As the NBA descended upon the Intuit Dome in Southern California for the 2026 All-Star Game, the headlines could have belonged to Portland Trail Blazers forward Deni Avdijam, who made history as the first Israeli-born player to appear in an NBA All-Star Game. Representing the World All-Stars on Team Stars, Avdija wore the Israeli flag on his jersey, a silent but powerful nod to his homeland.

“I feel like when I come to play, I come with the entire nation,” Avdija remarked, celebrating a journey that saw him rise from a 16-year-old prodigy at Maccabi Tel Aviv to an NBA powerhouse averaging 25 points, 7 rebounds, and 7 assists per game, one of only three players this season (alongside Nikola Jokić and Luka Dončić) to average a 25/7/6 stat line.

But while Avdija was joining the elite company of Jokić and Dončić on the stat sheet, Lee was busy making a statement. The Oscar winner arrived courtside decked out in pro-Palestinian attire, a move clearly designed to counter the presence of the Israeli star.

The NBA has their first Israeli All-Star (Deni Avdija) & Spike Lee decided to wear a “Free Palestine” outfit… pic.twitter.com/jwky5s0Q4K

— Jon Root (@JonnyRoot_) February 16, 2026

It is a familiar script for Lee, whose career has been peppered with controversies regarding the Jewish community.

In 1990, Lee was forced to pen a New York Times op-ed titled “I Am Not an Anti-Semite” following the backlash over his stereotypical portrayal of Jewish businessmen in “Mo’ Better Blues.” More recently, in 2021, Lee was caught in a firestorm for featuring 9/11 conspiracy theorists—including those who have entertained antisemitic tropes and blamed Israel for the terror attacks—in his HBO documentary series. He eventually retreated to the editing room to scrub the segment after intense public pressure.

The contrast in Southern California was stark. While Houston Rockets star Alperen Sengun, who is Turkish, offered a class act by praising his “good friend” Avdija and calling for “peace in all world,” Lee chose the path of the provocateur.

As the league attempted to showcase a global game of “love and staying together,” Lee’s wardrobe choice served as a reminder that for some, the narrative of grievance always trumps the merit of the individual.

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