Joe Biden, we keep hearing, is a deeply empathetic man. It is that empathy that brought him to the presidency – his deep and abiding capacity to connect with others. In “What It Takes,” Richard Ben Cramer’s detailed blow-by-blow of the 1988 election cycle, Ben Cramer describes Biden’s ability to “connect” as his greatest supposed skill. This has been the pitch for Biden for decades: not much in the way of brains, not a tremendously resourceful politician, awkward on his feet – but he cares. In the words of Mark Gitenstein, Biden’s 1988 speechwriter and a four-decade advisor, “His ability to communicate with people in pain is maybe his most powerful strength.”

Or maybe, just maybe, Biden was never an empathetic man. Maybe he simply trafficked in ersatz empathy, all the while feeding his own narcissism.

That story certainly looks more plausible these days.

This week, Biden visited Maui. He did so nearly two weeks after the worst wildfire in modern American history killed hundreds of Americans. Meanwhile, Biden vacationed in Delaware on the beach, telling reporters he had “no comment” on the situation; he then jet-set off to Lake Tahoe before finally heading to Lahaina. Once he reached Hawaii, he proceeded to explain that he felt the pain of those whose family members had been incinerated. After all, he said, one time he experienced a small kitchen fire. “I don’t want to compare difficulties, but we have a little sense, Jill and I, of what it was like to lose a home,” he jabbered. “Years ago, now, 15 years, I was in Washington doing ‘Meet the Press’… Lightning struck at home on a little lake outside the home, not a lake a big pond. It hit the wire and came up underneath our home, into the…air condition ducts. To make a long story short, I almost lost my wife, my ’67 Corvette, and my cat.” 

In reality, back in 2004, lightning caused a kitchen fire in Biden’s home that was put out in 20 minutes with no other damage.

If this were an isolated incident, we could chalk it up to Biden’s encroaching senility. But it isn’t. After presiding over the botched pullout from Afghanistan that resulted in the return of the Taliban, the murder of 13 American servicemembers, the abandonment of hundreds of American citizens and thousands of American green card holders, and the subjugation of some tens of millions of women, Biden essentially shrugged. Then, when faced with the families of wounded and killed American soldiers, he attempted to “feel their pain” by invoking the death of his son, Beau. According to Cheryl Rex, whose son died in the Abbey Gate bombing of August 26, 2021, “His words to me were, ‘My wife, Jill, and I know how you feel. We lost our son as well and brought him home in a flag-draped coffin.” 

Biden has cited Beau in similar instances multiple times.

In the Jewish community, the death of a loved one is followed by shiva, a seven-day period of mourning. During shiva, mourners don’t leave their homes; they are instead cared for by the community, provided with food and communal prayer. Members of the community visit the shiva house to provide comfort. 

The first rule of visiting a shiva house: don’t talk about your own experiences with death or pain. It’s gauche and irrelevant and trivializing.

Yet this is Biden’s first move.

Empathy is the quality of putting yourself in the place of others. But Biden isn’t an empath. He’s someone who believes that everyone else’s pain is merely a reflection of his own.

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Committee reps for the Writers Guild of America (WGA) met with studio executives this week in an effort to end the ongoing strike, but were unhappy when details of the proposed contract went public.

The Alliance of Motion Picture and Television Producers (AMPTP) shared details Tuesday afternoon of the contract offer initially given to the WGA on August 11, per a report from Variety. This move came after a recent meeting between WGA reps and Hollywood bigwigs including Disney CEO Bob Iger, Warner Bros. Discovery CEO David Zaslav, and Netflix co-CEO Ted Sarandos, the outlet noted.

“Our priority is to end the strike so that valued members of the creative community can return to what they do best and to end the hardships that so many people and businesses that service the industry are experiencing. We have come to the table with an offer that meets the priority concerns the writers have expressed. We are deeply committed to ending the strike and are hopeful that the WGA will work toward the same resolution,” AMPTP President Carol Lombardini said in a statement which also included the contract details.

The contract addressed several of the WGA’s concerns, including provisions for a minimum 10 weeks of employment for most TV series writers and writer-producers and a pay increase for streaming residuals.

WGA committee reps said the proposed concessions were not enough and that the studios released the details with ulterior motives. They said they attended the meeting with good intentions but “were met with a lecture about how good their single and only counteroffer was.”

“We explained all the ways in which their counter’s limitations and loopholes and omissions failed to sufficiently protect writers from the existential threats that caused us to strike in the first place,” the WGA committee reps responded. 

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“We told them that a strike has a price, and that price is an answer to all – and not just some – of the problems they have created in the business. But this wasn’t a meeting to make a deal. This was a meeting to get us to cave, which is why, not 20 minutes after we left the meeting, the AMPTP released its summary of their proposals.”

The reps went on to accuse the AMPTP of having a specific strategy in mind. “This was the companies’ plan from the beginning – not to bargain, but to jam us,” they said. “It is their only strategy – to bet that we will turn on each other.”